A chaotic, live-wire experiment blending Richard Kind’s confusion with hyper-local L.A. obsession, reinventing the stagnant talk show format.
Series Analysis:
John Mulaney Presents: Everybody’s in L.A. felt less like a talk show and more like a fever dream broadcast from a city that barely understands itself. Over six manic nights, Mulaney orchestrated a beautiful disaster featuring bewildered comedians, Richard Kind wandering off-script, and serious experts discussing coyotes amidst the madness. It was public access television with a massive budget—a weird, singular experiment that defied the polished machinery of modern late-night. Now, the silence is deafening. We are left staring at the Hollywood Sign, wondering if this surreal pop-up was a one-time stunt or the pilot for a new era of live comedy. The agonizing wait for renewal news hangs over the fandom like smog, so adding a reminder for a potential return is the only way to ensure you aren't left on hold.
Tone: Chaotic, Surreal, Deadpan
Last Updated: July 2025