"Sharp, irreverent, and brilliantly fast-paced, this is the definitive destination for fans of elite British topical satire and improv."
After nearly two decades of defining the British satirical landscape, Mock the Week finds a fresh lease on life. This institution of topical comedy remains a sharp-tongued observer of the political circus, blending rapid-fire improv with polished stand-up segments. The transition to a new broadcast home has not dulled its edge; rather, it has energized the format. Dara Ó Briain’s masterful orchestration ensures the chaos remains coherent, providing a platform for both established legends and emerging voices to dissect the week’s headlines. In an era of constant news cycles, the show’s ability to find absurdity in the headlines is more vital than ever. To ensure you never miss a punchline in this high-stakes environment, it is essential to track Season 22.
| # | Air Date | Episode Name | Watched? |
|---|---|---|---|
| E1 | Feb 01, 2026 | Episode 1 | |
| E2 | Feb 08, 2026 | Ahir Shah, Angela Barnes, Lou Sanders, Ed Byrne, Milton Jones | |
| E3 | Feb 15, 2026 | Hugh Dennis, Katherine Ryan, Sara Pascoe, Glenn Moore, Sarah Keyworth | |
| E4 | Feb 22, 2026 | Angela Barnes, Alasdair Beckett-King, Ria Lina, Sean McLoughlin, Mark Simmons | |
| E5 | Mar 01, 2026 | Ed Byrne, Zoe Lyons, Glenn Moore, Sara Pascoe, Emmanuel Sonubi | |
| E6 | Mar 08, 2026 | Angela Barnes, Sarah Keyworth, Glenn Moore, Milton Jones, Ahir Shah | |
| E7 | Mar 15, 2026 | Alasdair Beckett-King, Ed Byrne, Hugh Dennis, Ellie Taylor, Janine Harouni | |
| E8 | Mar 22, 2026 | Scott Bennett, Ed Byrne, Hugh Dennis, Sara Pascoe, Katherine Ryan | |
| E9 | Mar 29, 2026 | Compilation | |
| E10 | Jun 07, 2026 | Episode 10 | |
| E11 | Jun 14, 2026 | Episode 11 | |
| E12 | Jun 21, 2026 | Episode 12 | |
| E13 | Jun 28, 2026 | Episode 13 | |
| E14 | Jul 05, 2026 | Episode 14 |
Franchise Status: Concluded
Mock the Week remains a definitive pillar of satirical panel television, having concluded its influential run on BBC Two. Spanning seventeen years and over two hundred episodes, the series became the primary incubator for British stand-up talent, bridging the gap between the club circuit and mainstream stardom. Its fast-paced format, anchored by Dara O Briain and Hugh Dennis, mastered the art of topical irreverence by blending traditional news satire with improvisational games. The show functioned as a weekly catharsis for the British public, distilling complex political landscapes into sharp, bite-sized punchlines that defined the zeitgeist of the early twenty-first century.
The enduring appeal of the series as a rewatch staple lies in its role as a time capsule of modern history and its relentless comedic energy. While the specific news stories may age, the chemistry of the rotating panels and the iconic Scenes We Would Like to See segment retain a timeless quality that rewards repeat viewings. Fans return to the show to witness the early breakthroughs of now-legendary comics and to experience a style of rapid-fire delivery that remains rare in the current broadcasting landscape. By balancing biting social commentary with absurd observational humor, the program secured its legacy as a cornerstone of the UK comedy canon that continues to influence the next generation of satirical media.
Both shows deliver sharp, fast-paced political satire that turns chaotic news into hilarious punchlines.
Both shows deliver sharp, punchy British satire defined by iconic characters and memorable catchphrases.