"A biting satirical powerhouse that refuses to go quietly, keeping viewers on edge as they await the next revival."
For nearly two decades, Mock the Week served as the sharp-tongued chronicler of British political absurdity. Its transition to the landscape of TLC (UK) signaled a daring second act for a format many thought had reached its expiration date. Under the steady hand of Dara Ó Briain, the production remains a vital platform for both established satirists and emerging comedic voices. However, as we navigate the mid-point of 2026, the silence surrounding a formal greenlight for a new outing has left the industry in a state of suspended animation. The show’s ability to find humor in the increasingly chaotic cycle of global news is unmatched, making its potential absence a significant void in the television calendar. Fans should remain vigilant and track Season 22.
| Watched? | # | Air Date | Episode Name |
|---|---|---|---|
| E1 | Feb 01, 2026 | Episode 1 | |
| E2 | Feb 08, 2026 | Ahir Shah, Angela Barnes, Lou Sanders, Ed Byrne, Milton Jones | |
| E3 | Feb 15, 2026 | Hugh Dennis, Katherine Ryan, Sara Pascoe, Glenn Moore, Sarah Keyworth | |
| E4 | Feb 22, 2026 | Angela Barnes, Alasdair Beckett-King, Ria Lina, Sean McLoughlin, Mark Simmons | |
| E5 | Mar 01, 2026 | Ed Byrne, Zoe Lyons, Glenn Moore, Sara Pascoe, Emmanuel Sonubi | |
| E6 | Mar 08, 2026 | Angela Barnes, Sarah Keyworth, Glenn Moore, Milton Jones, Ahir Shah | |
| E7 | Mar 15, 2026 | Alasdair Beckett-King, Ed Byrne, Hugh Dennis, Ellie Taylor, Janine Harouni | |
| E8 | Mar 22, 2026 | Scott Bennett, Ed Byrne, Hugh Dennis, Sara Pascoe, Katherine Ryan | |
| E9 | Mar 29, 2026 | Compilation |
Franchise Status: Concluded
Mock the Week remains a definitive pillar of satirical panel show television, having concluded its influential run on BBC Two. It served as a vital training ground for a generation of comedians, transforming the landscape of topical humor through its fast-paced and often irreverent format. By blending stand-up sensibilities with competitive game show elements, it captured the zeitgeist of the early twenty-first century while offering a sharp-edged critique of politics and celebrity culture. Its legacy is found in the countless careers it launched and the specific brand of high-energy wit that became a hallmark of British broadcasting.
The show remains a rewatch staple because of its lightning-fast delivery and the enduring popularity of segments like Scenes Wed Like to See. Fans return to these episodes not just for the nostalgia of past news cycles, but for the raw comedic chemistry between the rotating cast of regulars and guests. Even as the specific headlines fade, the improvisational brilliance and the sheer density of jokes per minute ensure its longevity in the digital age. It represents a significant era of the televised comedy circuit where risk-taking and rapid-fire punchlines were the primary currency of late-night entertainment.