The Pale Horse

Sarah Phelps’s 2020 adaptation of Agatha Christie’s The Pale Horse remains a polarizing yet pivotal entry in the history of British television. By leaning into folk horror and psychological decay, the production challenged the golden age tropes associated with the genre. Rufus Sewell’s Mark Easterbrook serves as a vessel for post-war anxiety, navigating a landscape where supernatural dread and rational logic collide. Its legacy is defined by a refusal to provide a tidy resolution, favoring a lingering sense of unease that persists long after the credits. While purists debated the script's creative liberties, the series established a standard for prestige crime dramas that prioritize atmosphere over clockwork plotting. Set a reminder for your digital calendar, as news of future revivals or related projects often arrives when least expected.